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Model-new works and U.S. premieres fill February’s jam-packed efficiency calendar. Right here’s what we wish to catch most.
Romeo and Juliet and {Couples} Remedy
STANFORD, CA What if Romeo and Juliet, as a substitute of dying as star-crossed teenagers, lived to develop up and needed to discover ways to take care of one another? Ben Duke’s Juliet & Romeo reveals the couple, now roughly 40 years outdated, placing on a dance theater efficiency for a dwell viewers to confront their relationship troubles and the pressures of being the overgrown poster youngsters for romantic love. Misplaced Canine’s critically acclaimed duet makes a uncommon look stateside at Stanford Dwell Feb. 1–3. dwell.stanford.edu. —Courtney Escoyne
Elevate It Up
MEMPHIS Hope Boykin contributes a premiere to Collage Dance Collective’s RISE program. Additionally on faucet are the ballet that lends this system its identify—creative director Kevin Thomas’ Rise—and Amy Corridor Garner’s Saint Glory, which was impressed by her grandparents’ Catholic and Baptist roots. Feb. 3–4. collagedance.org. —CE
Desert Rose
ON TOUR ZooNation hits the street, starting a North American tour of the Kate Prince–choreographed Message In A Bottle this month. Set to songs by Sting newly organized by Alex Lacamoire, the dance theater work follows a displaced household as three separated siblings enterprise out on their very own. The tour kicks off in Los Angeles Feb. 6–11 and wraps up in Philadelphia Could 14–19, with stops in Denver, Chicago, Montreal, Toronto, Boston, Charlotte, Washington, DC, and New York Metropolis. sadlerswells.com. —CE
The Jilted Bride
MIAMI To commemorate blissful vows, save a bit of wedding ceremony cake. However after a jilting, what may a wronged lady do? Freeze the betrayal scene and preserve carrying the bridal robe—the wounding of others to comply with. Redemption, although, awaits. That’s the premise of Havisham!, Dance NOW! Miami’s site-specific reimagining of probably the most Gothic character from Charles Dickens’ Nice Expectations, Miss Havisham. Right here she beneficial properties an expiatory backstory—two dancers portraying her at totally different intervals, enamored then damaged—seen from firm co-director Hannah Baumgarten’s feminist perspective. To South Seaside Chamber Ensemble’s pop and classical alternatives, Pip, Estella, and the brutish Drummle weave out and in as audiences traipse by means of North Miami Seaside’s Historical Spanish Monastery. Feb. 7– 8. dancenowmiami.org. —Guillermo Perez
Curated by Camille
NEW YORK CITY Gibney’s DoublePlus continues this month with a pair of premieres by movie and theater choreographer Mayte Natalio and multidisciplinary experimental artist Maleek Washington, who have been chosen for this system and mentored by Camille A. Brown. Feb. 8–10. gibneydance.org. —CE
Movin’ It On
DALLAS For this 12 months’s iteration of Dallas Black Dance Theatre’s Cultural Consciousness program, firm member and co-rehearsal director Hana Delong premieres Put up Mortem. Becoming a member of it are His Grace, a tribute to Nelson Mandela by Christopher L. Huggins, and Matthew Dashing’s ODETTA, set to songs by songwriter and civil rights activist Odetta Holmes. Feb. 9–10. dbdt.com. —CE
New Works in Nashville
NASHVILLE For its annual Angle program, Nashville Ballet will debut commissions from resident choreographer Mollie Sansone, Kidd Pivot dancer Jermaine Spivey, and Camille A. Brown & Dancers member Yusha-Marie Sorzano, all with music carried out dwell by native musicians. Feb. 9–11. nashvilleballet.com. —CE
Bach as Blueprint
NEW YORK CITY In The Goldberg Variations, BWV 988, Anne Teresa De Keersmaeker makes use of certainly one of Johann Sebastian Bach’s most well-known compositions because the blueprint for an evening-length solo. De Keersmaeker performs by means of the aria and 30 variations alongside pianist Pavel Kolesnikov for the North American premiere of the work at NYU Skirball. Feb. 22–24. nyuskirball.org. —CE
Liberating Lilith
SAN FRANCISCO In Lilith, flamenco artist Fanny Ara makes use of the mythological determine—Biblical Adam’s first spouse who deserted Eden, variously interpreted as a pressure for evil or a logo of feminine independence—to think about the burden of expectations imposed by herself and others, and her journey towards liberation. The evening-length solo work, premiering at ODC Theater Feb. 23–25, sees Ara joined by musicians Gonzalo Grau and Vardan Ovsepian. odc.dance. —CE
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