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Full solid introduced for the RSC’s The Merry Wives of Windsor – There Ought To Be Clowns

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Full casting is introduced for the RSC’s forthcoming manufacturing of Shakespeare’s suburban comedy, The Merry Wives of Windsor.  Directed by Blanche McIntyre, the present runs in repertoire within the Royal Shakespeare Theatre, Stratford-upon-Avon between 5 June – 7 September. 

Making their RSC debuts because the eponymous ‘Merry Wives’ are the beforehand introduced double Olivier Award-winner Samantha Spiro (Intercourse Training/ Ridley Highway) as Mistress Meg Web page, who’s joined by Siubhan Harrison (The Ocean on the Finish of the Lane) as Mistress Alice Ford.  John Hodgkinson (Pricey England, RSC’s A Christmas Carol) performs Sir John Falstaff, and Richard Goulding (Scoop, The Windsors, King Charles III) performs Frank Ford.

Blanche McIntyre, director, mentioned: “The Merry Wives of Windsor is certainly one of Shakespeare’s most underrated performs. Its combination of comedy and vulnerability foreshadows nice writers resembling Alan Ayckbourn, and its farcical set items are the forerunners of traditional sitcom. I’m setting the play in a recent small city, as I feel its gossipy lack of privateness, its suburban values and its overheated city politics are timeless. I’ve wished to direct The Merry Wives of Windsor for a very long time, and I’m delighted to be engaged on it with the sensational firm we’ve assembled.” 

Samantha Spiro’s TV and movie credit embrace One LifeHoardNonetheless UpIntercourse TrainingRidley Highway, RagdollSemi-IndifferentBabsTracey Ullman’s PresentPhysician WhoRecreation of ThronesPlebsLondon SpyGrandpa’s HomePsychobitches and Me Earlier than You.

A recipient of two Olivier Awards and a Whatsonstage.com award, her theatre credit embrace: Guys and DollsGirl Windermere’s FanDi, Viv and Rose; and A Christmas Carol (West Finish); Macbeth and The Taming of the Shrew (Shakespeare’s Globe); Hen Soup with Barley (Royal Courtroom, nominated for Greatest Actress on the Night Commonplace Theatre Awards and Whatsonstage.com Awards); Hiya Dolly! (Regents Park Open Air Theatre, winner of the Greatest Actress in a Musical on the Olivier Awards); Merrily We Roll Alongside (Donmar Warehouse, winner of Greatest Actress in a Musical on the Olivier Awards and Whatsonstage.com Awards), Two Thousand Years and Cleo, Tenting, Emmanuelle and Dick on the Royal Nationwide Theatre; and The Home They Grew Up In and Humorous Woman at Chichester.

Siubhan Harrison’s theatre credit embrace: Wildfire Highway (Sheffield Crucible);The Ocean on the Finish of the Lane (Nationwide Theatre Productions on the Duke of York’s Theatre); Fantastic City (Opera Holland Park);Dwelling I’m Darling (Duke of York’s Theatre for Nationwide Theatre Productions);Me and My Woman (Chichester);The Nation Spouse, Working (Southwark Playhouse); I Name My Brothers (Arcola); Guys and Dolls (Savoy);Pitcairn (Globe);From Right here to Eternity (Shaftesbury Theatre); Earthquakes in London (UK tour); Margueritte (Haymarket); Marianne Goals (Almeida); andLes Miserables (Queens). TV and movie credit embrace:  The Nice Escaper, Fifteen Love, The Track of Lunch andLittle Deaths.

John Hodgkinson was most lately seen in Pricey England (Nationwide Theatre/Prince Edward Theatre).  His earlier work for the RSC consists of: Venice Preserved, The Provoked Spouse, Twelfth Night time, A Christmas Carol, Love’s Labour’s Misplaced and A lot Ado About Nothing.  Othertheatre credit embrace:  Better of Enemies (Younger Vic Theatre/Noel Coward Theatre); Hangmen (Royal Courtroom/ Wyndham’s/Golden Theatre New York); The Ferryman (Royal Courtroom/Gielgud); The Libertine (Glasgow Residents); and A Stroll On Half (Stay Theatre/Soho Theatre/Arts Theatre). Tv and movie credit embrace:  Life After Life, Small Axe, Catherine The Nice, Rillington Place, Victoria, Witless, Todd Margaret, The Escape Artist, Whitechapel, Large Unhealthy World, Prison Justice, Peep Present, Coronary heart of Lightness, Skyfall, Depart to Stay, Thunderpants and Firelight.

Richard Goulding’s earlier RSC credit embrace: The Seagull, King Lear, A Mad World My Masters, Titus Andronicus and Candide. Different theatre credit embrace: Scandaltown (Lyric Hammersmith); A Passage to India (Easy 8/Royal and Derngate); St George and the Dragon, Edgar and Annabel, There Is A Conflict (Nationwide Theatre); King Lear, They Drink It In The Congo (Almeida Theatre); King Charles III (Almeida Theatre, Wyndham’s Theatre and Music Field Theatre, New York, nominated for Olivier and Tony award for Greatest Supporting Actor); and Posh (Royal Courtroom/Duke of York’s).  His TV and movie credit embrace: The WindsorsGrantchester, Dalgliesh, A Very British Scandal, The Crown, Belgravia, Traitors, Brexit: The Uncivil Conflict, King Charles III, Contemporary Meat, Ripper Avenue, Foyle’s Conflict, Scoop, Depraved Little Letters, Benediction, The Iron Girl and King Lear.

The total solid includes Jessica Alade (Easy), Omar Bynon (Pistol), John Dougall (Shallow), Riess Fennell (Robert/Scholar), Richard Goulding (Frank Ford), Siubhan Harrison (Alice Ford), John Hodgkinson (Sir John Falstaff), Emily Houghton (Host of the Garter), Ian Hughes (Sir Hugh Evans),  Wil Johnson (George Web page), Yasemin Junqueira (Scholar), John Chief (Fenton), David Mara (Rugby), Tadeo Martinez (Robin), Shazia Nicholls (Mistress Shortly), Yasemin Özdemir (Nym), David Partridge (Bardolph/John), Samantha Spiro (Meg Web page), Jason Thorpe (Dr Caius), Tara Tijani (Anne Web page) and Patrick Walshe McBride (Slender).

Blanche McIntyre’s earlier RSC directing credit embrace All’s Properly That Ends Properly (2022), Titus Andronicus (2017) and The Two Noble Kinsmen (2016).  Different credit embrace Arabian Nights (Bristol Previous Vic), Tremendous Excessive Decision (Soho Theatre), Home of Shades (Almeida) and Measure for Measure (Sam Wanamaker Playhouse).

Becoming a member of Blanche on the inventive crew are Robert Innes Hopkins (Set and Costume Designer), Malcolm Rippeth (Lighting Designer), Tim Sutton (Composer), Emma Laxton (Sound Designer), Ingrid Mackinnon (Motion Director), Philip d’Orleans (Combat Director) and Matthew Dewsbury CDG (Casting Director).

The Merry Wives of Windsor (5 June – 7 September) performs in repertoire with The College for Scandal (2 July – 6 September), with among the solid showing in each reveals.  Casting for The College for Scandal shall be introduced shortly.

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