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HomeDramaBush Theatre proclaims new season – There Ought To Be Clowns

Bush Theatre proclaims new season – There Ought To Be Clowns

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The Bush Theatre has introduced productions for the second half of 2024, confirming its place on the forefront of latest writing, and reaffirming its dedication to expertise growth and group engagement.  

Within the theatre’s primary home, the Holloway Theatre, Gabriel Akuwudike, Rakie Ayola and Tiwa Lade be a part of the forged of My Father’s Fable, a brand new play by Oliver award nominated actress and winner of this yr’s Alfred Fagon Award Religion Omole (Standing At The Sky’s Edge). The Bush Younger Firm returns to the primary stage in August with a manufacturing co–created with the 18-25 Younger Firm, adopted by the 14-17 Younger Firm in a play commissioned from a Bush Rising Writers’ Group alumnus Jasmin Mandi-Ghomi, as a part of our artist growth programme Staged by Jerwood.  A excessive level of the Bush’s season, in simply three years, the BYC has developed a popularity amongst audiences and critics because the place to identify tomorrow’s expertise. The author and director behind the Olivier award successful The P PhraseWaleed Akhtar and Anthony Simpson-Pike reunite to current The Actual Ones, a humorous and trustworthy love letter to platonic soulmates.  Daniel Bailey returns to the Bush stage following the success of Pink Pitch within the West Finish to direct Bush Rising Writers Group alumnus Beru Tessema’s Wolves on Street, a co-commission with Tamasha, which takes us on an exciting deep-dive into the mysterious world of cryptocurrency. In February 2025, Rising Writers’ Group alum Coral Wylie groups up with Overflow director Debbie Hannan for his or her debut play, Lavender, Hyacinth, Violet, Yew.

Within the Studio, Edinburgh Competition Fringe hit Girl Vendor opens in Could adopted by Statues, written and carried out by Bush Younger Firm alumnus Azan Ahmed, which explores the impression of loss and what you possibly can acquire from it, and Tender, a blinding and shifting new story of two individuals who discover one another with out even understanding they had been wanting written by Eleanor Tindall (Earlier than I Was A Bear, Soho Theatre).

Lynette Linton, the Bush Theatre’s Creative Director mentioned,  ‘We’re surrounded by positivity on the Bush; rising expertise successful crucial and viewers acclaim, successful business prizes and recognition, and returning to us with new work which is equally as thrilling.  Within the final yr, exhibits together with ‘A Playlist for the Revolution’, our Younger Firm Reveals ‘Move It On’ and ‘As We Face The Solar’, ‘Elephant’, ‘Pink Pitch’ and ‘Shifters’ have performed to packed homes.  There’s undoubtedly a name from audiences for brand new writing which displays the world by which we reside, written by thrilling new expertise eager to push theatre ahead. The performs in our Studio, historically a laboratory for creating new work, have gained an actual following amongst audiences eager to be in the beginning of one thing huge.  ‘Invisible’ transferred to Off-Broadway, and ‘Dreaming and Drowning’ broke Bush field workplace data, solely to be outmoded by ‘This May Not Be It’ breaking them as soon as once more. Matilda Feyiṣayọ Ibini’s ‘Sleepova’ and AJ Yi’s ‘A Playlist for the Revolution’ had been nominated for Olivier Awards this yr with ‘Sleepova’ successful each the Critics’ Circle Theatre Award for Most Promising Playwright and the Olivier Award for Excellent Achievement in Affiliate Theatre.

To fulfil our mission to essentially shake up the theatrical canon and proceed to have affect over its future – we maintain our artists shut and need to help them past their debut performs. We’re thrilled by the reception to ‘Pink Pitch’ within the West Finish however getting it there was a tough process, with many producers nonetheless feeling it a ‘danger’ to supply work which mirrors the world round them.  We’re decided to forge forward although, and our dedication to producing second works by Waleed Akhtar and Beru Tessema on this season is testomony to this. Till performs by new writers and creatives are given a much bigger platform it’s inconceivable for them to shine, to be seen by awards panels and to be included within the ‘high 10’ lists which outline the business.  However that doesn’t imply we’ve forgotten our first time writers, Alfred Fagon Award winner Religion Omole makes her Bush debut with ‘My Father’s Fable’, a gripping story of grief, belonging, and a household on the sting, and the debut play from Rising Writers’ Group alum Coral Wylie ‘Lavender, Hyacinth, Violet, Yew’ is a lovely exploration of queer historical past and queerer vegetation.

The humanities world remains to be feeling the continued impression of Covid and till (we hope) now we have a authorities which takes theatre and its contribution to society critically, many theatres are understandably reverting to the most secure decisions they’ll make, however for us, it has at all times been about shifting ahead. After we take into consideration the programming of a Bush present, we bear in mind the legacy that we need to depart behind. This season of exhibits usually are not solely a superb night time out but additionally epic explorations of deeply human tales which drive us to ask huge questions of ourselves and the world we reside in and dig deep.’

Within the Holloway Theatre 

My Father’s Fable
Written by Religion Omole
Directed by Rebekah Murrell
Forged consists of Gabriel Akuwudike, Rakie Ayola and Tiwa Lade

15 June – 27 July 2024
Monday – Saturday at 7.30 pm
Wednesday matinees – 26 June, 3, 10, 17, 24 July at 2.30pm
Saturday matinees – 29 June, 6, 13, 20, 27 July at 2.30pm
Relaxed performances – Saturday twenty ninth June at 2:30pm & Thursday 18th July at 7:30pm
Captioned efficiency – Thursday 4th July at 7:30pm & Saturday twentieth July at 2:30pm
Audio-described performances and contact excursions -Saturday sixth July at 2:30pm & Thursday eleventh July at 7:30pm

“Shall now we have an actual dialog? I’m able to cease pretending in case you are.”

Peace didn’t know what she wanted when her father died. Then she discovered Bolu, her half-brother from Nigeria she didn’t know existed. Stuffed with grief and a thousand questions, his arrival appears like one thing clicking into place. Regardless of her mom’s considerations and inspired by her companion, Peace invitations Bolu to England. 

However questions on this stranger’s intentions and his mysterious previous cling heavy within the air. Determined to maintain her fractured household – and herself – collectively, Peace should face the truth that the solutions she desperately seeks may simply result in all the things falling aside.

My Father’s Fable is a gripping story of grief, belonging, and a household on the sting, from Alfred Fagon Award winner Religion Omole, directed by Rebekah Murrell (J’ouvert, West Finish) with a forged together with Gabriel Akuwudike, BAFTA-winner Rakie Ayola (final seen on the Bush in Unusual Fruit) and Tiwa Lade.

This manufacturing is generously supported by Charles Holloway.

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A Bush Neighborhood Manufacturing from the 18-25 Bush Younger Firm

COMMUNION 
Devised by the 18-25 Bush Younger Firm and Katie Greenall
Directed by Katie Greenall

6 – 10 August 2024
Tuesday – Saturday at 7.30 pm
Saturday matinee – 10 August at 2.30pm

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The Finish 
Written by Jasmin Mandi-Ghomi
Directed by Neetu Singh

22 – 24 August 2024
Thursday – Saturday at 7.30 pm
Saturday matinees – 24 August at 2.30pm

This manufacturing is a part of our artist growth programme, Staged by Jerwood, supported by the Jerwood Basis.

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The Actual Ones
Written by Waleed Akhtar
Directed by Anthony Simpson-Pike

6 September – 19 October 2024
Monday – Saturday at 7.30 pm
Wednesday matinees – 18, 25 September, 2, 9, 16 October at 2.30pm
Saturday matinees – 14, 21, 28 September, 5, 12, 19 October at 2.30pm
Relaxed performances – Saturday twenty first September 2:30pm & Thursday tenth October 7:30pm
Captioned performances – Thursday twenty sixth September 7:30pm & Saturday fifth October 2:30pm
Audio-described efficiency and contact tour – Saturday twenty eighth September 2:30pm & Thursday third October 7:30pm

“I like you. Like genuinely I like you. You’re an actual one.”

Finest associates Zaid and Neelam shared a dream: get away, make it as playwrights, construct a future the place they’re free to be themselves. Collectively, at all times. 

Years later, issues are removed from what they anticipated. Zaid’s life has kinda stalled, half out the closet, dwelling at house and nonetheless chasing the dream. Whereas Neelam’s has taken a very totally different path, as she chooses to prioritise her personal happiness.

As their lives pull additional aside and a large number of issues left unsaid hangs between them, it turns into much less and fewer clear in the event that they’ll ever discover a method again to one another.

The Actual Ones, is a humorous and trustworthy love letter to platonic soulmates. The world premiere manufacturing comes from the group behind the Olivier Award-winning sensation, The P Phrase, reuniting author Waleed Akthar and director Anthony Simpson-Pike.

Reward for The P Phrase:
WINNER Olivier Award, Excellent Achievement in Affiliate Theatre
★★★★★ “Super. Devastating. Performs like this are uncommon.” Time Out
★★★★ “Irresistible. Bewitches with hope, romance and coronary heart.” Guardian

This manufacturing is generously supported by Charles Holloway.

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Wolves On Street
Written by Beru Tessema
Directed by Daniel Bailey

9 November – 21 December 2024
Monday – Saturday at 7.30 pm
Wednesday matinees – 20, 27 November, 4, 11, 18 December at 2.30pm
Saturday matinees -16, 23, 30 November, 7, 14, 21 December at 2.30pm
Relaxed performances – Saturday twenty third November 2:30pm & Thursday twelfth December 7:30pm
Captioned performances – Thursday twenty eighth November 7:30pm & Saturday seventh December 2:30pm
Audio-described performances and contact excursions – Saturday thirtieth November 2:30pm & Wednesday 4th December 7:30pm

“I believe your son simply made ten thousand kilos…”

Manny desires of being an enormous canine – however proper now he’s hocking pretend designer items, dwelling along with his mum and coping with her new boyfriend. The glittery skyscrapers of Canary Wharf he sees out the window each day have by no means appeared up to now.

However when his greatest pal affords him a approach to earn money quicker than he may ever think about, he pulls his complete household right into a world that’s nearly too good to be true.

Wolves on Street is an exciting deep-dive into the mysterious world of crypto-currency, revealing how ambition and hope may be exploited, irrespective of the system at play.

This quick, humorous and livid world premiere from Beru Tessema (Home of Ife) is directed by Bush Theatre’s Affiliate Creative Director, Daniel Bailey (Pink Pitch, August in England), in a co-production with Tamasha.

This manufacturing is generously supported by Charles Holloway.

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 Within the Bush Theatre Studio

Girl Vendor
Author – Martha Watson Allpress
Director – Emily Aboud
Set & Costume Designer – Jasmine Araujo
Primarily based on an authentic design by Blythe Brett
Sound Designer – Anna Quick
Lighting Designer – Bethany Gupwell
Dramaturg – Lizzie Manwaring
Manufacturing and Stage Supervisor – Nikita Bala
Producer – Grace Dickson
Carried out by Alexa Davies

15 Could – 15 June 2024
Monday – Saturday at 8pm
Wednesday matinees – 29 Could, 5 & 12 June at 3pm
Saturday matinees – 25 Could, 1, 8 & 15 June at 3pm
Audio Described efficiency – 5 June at 8pm
Captioned efficiency – 29 Could at 8pm
Chilled efficiency – 25 Could at 8pm

For Charly, each day is similar: neck some espresso, reply the cellphone, promote some medication. The flat she as soon as shared along with her ex, Clo, is now the bottom of her rising enterprise. And she or he’s effective with that. She’s effective! Charly is ok.

However when an influence lower hits her property and the burner cellphone stops buzzing, she is pressured to query precisely how effective she is. Determined to flee the swell of feeling effervescent beneath the floor, Charly expenses headfirst right into a world of knockoff Morrissey’s, disapproving moms, and the ghosts of girlfriends previous.

Following its run in Edinburgh, Girl Vendor was 
Shortlisted for the BBC Author’s Room Popcorn Award 2023
Shortlisted for Holden Road Theatres’ Edinburgh Fringe Award 2023
Shortlisted for Filipa Bragança Award 2023
Shortlisted for Verity Bargate Award 2022
Playbill’s Decide of The Fringe 

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Statues
Written and carried out by Azan Ahmed 
Directed by Esme Allman
9 October – 9 November 2024
Monday – Saturday at 8 pm
Wednesday matinees – 16, 24, 30 October, 6 November at 3pm
Saturday matinees – 19, 26 October, 2, 9 November at 3pm
Chilled performances – 19 October at 3pm & 8pm
Captioned efficiency – 23 October at 3pm & 8pm
Audio-described efficiency and contact tour – 31 October at 3pm & 8pm

“He grew as much as be a person whose sighs and slumps changed sentences. Is that gonna be me?”

Days after his father’s passing, English trainer Yusuf discovers a dusty mixtape that modifications all the things he knew a few man who barely spoke.

Seems, Mustafa spent the 90s rapping about fairly women and Kilburn life, plotting desires of superstardom along with his greatest pal Omar. How did this passionate wordsmith grow to be a silent statue?

Yusuf’s mourning is overtaken by a journey into the previous. Threaded collectively by Omar’s thumping beats and his father’s bars, Yusuf uncovers secrets and techniques that flip his world upside-down.
Witty, trustworthy, and deeply shifting, Statues is a lyrical love letter to the unique code switchers, exploring the impression of loss, and what you possibly can acquire from it. Written and carried out by award-winning playwright Azan Ahmed (Deen & Dunya, The Father and the Murderer).

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Tender
Written by Eleanor Tindall
Directed by Emily Aboud
19 November – 21 December 2024
Monday – Saturday at 8pm
Wednesday matinees – 27 November, 4, 11, 18 December at 3pm
Saturday matinees – 30 November, 7, 14, 21 December at 3pm
Chilled efficiency – 30 November at 8pm
Captioned efficiency – 4 December at 8pm
Audio-described efficiency and contact tour – 11 December at 8pm

“You can say, you may say that my life is ideal”

Ivy has life sorted; she’s bought a flat, a boyfriend and he or she is aware of precisely the place it’s all headed. Besides there’s this factor that she tries not to consider. The factor she left in her childhood bed room.

Ash is having the time of her life. Contemporary from leaving a nasty relationship, she’s bought no concept what’s subsequent. However there’s one thing about her new flat. The wallpaper pulses and typically it feels like a heartbeat. 

Two ladies. An opportunity assembly. Giddy kisses they by no means ought to have shared. Tender is the story of two individuals who discover one another with out even understanding they had been wanting.

The dazzling and shifting new play by Eleanor Tindall (Earlier than I Was A Bear, Soho Theatre) is directed by Emily Aboud (Pink Lemonade, Bush Theatre) and produced by Broccoli Arts and Jessie Anand Productions, the group behind the record-breaking Bush Studio hit This May Not Be It.

Reward for Earlier than I Was A Bear:
Eleanor Tindall was nominated for Finest Author on the Stage Debut Awards.
★★★★★ ‘Beautiful, hilarious and thrillingly bizarre’ The Stage
★★★★★ ‘Flawless’ The Spy within the Stalls

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