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4.0/5
Noukadubi is a 1906 novel by Rabindranath Tagore, which revolves round a case of mistaken identification. The novel has been tailored many occasions on celluloid. Milan (1946), starring Dilip Kumar, was based mostly on the identical, and so was Ghunghat (1960). The fundamental concept of Laapataa Girls is similar to that of Tagore’ s novel. Director Kiran Rao has woven a narrative which makes use of the mistaken identification trope to supply a pointy critique of the current society. It is a movie which celebrates ladies empowerment, saying that issues have to be modified from the grassroots degree. Regardless of being message-driven, the movie is also a light-hearted comedy at one degree, tickling your humorous bone from the begin to the tip.
Deepak (Sparsh Shrivastava) and Phool (Nitanshi Goel) are newly married. The couple boards a crowded practice to Deepak’s village Mukhi. It being the marriage season, their compartment has different married {couples} as nicely. The ladies are clad comparable attires and have a heavy crimson veil over their faces, limiting their imaginative and prescient. When their halt comes within the evening, Deepak errors one other bride for Phool and asks the lady to alight with him. After returning house, Deepak realises that the lady he has taken house will not be his spouse Phool however really a woman who introduces herself as Pushpa Rani (Pratibha Ranta). Phool will get off at one other distant station and finds herself misplaced. She’s helped by a midget, Chotu (Satendra Soni) and Manju Maayi (Chhaya Kadam), an aged lady working the tea stall. Pushpa is form of adopted by Deepak’s household and nicely sorted, with the entire household concerned in getting her again to her actual husband. However she’s not what she appears. In the meantime, a corrupt however benign police inspector Manohar (Ravi Kishan) begins taking curiosity within the case and attracts some startling conclusions…
As mentioned earlier, the movie is a social satire which talks about ladies empowerment. Being with Manju Maayi helps Pooja study self-reliance. Maayi tells her that she ought to study to face up for herself and begins residing for herself and never only for others. The elder lady opens her eyes to the truth that patriarchy is ingrained completely in our society and one ought to recognise that and battle that with a view to reside on one’s personal phrases. Pushpa too has her personal struggles. She’s an excellent scholar, who desires to check additional and is stymied by circumstances from doing so. When destiny provides her an opportunity to proper the wrongs, she grabs the chance by its forelocks and takes full benefit of the state of affairs.
Small incidents drive house massive factors within the movie. The ladies of Deepak’s home talk about that they’ve forgotten what their favorite dishes are as they’ve at all times catered to the alternatives of the lads within the household. Deepak’s father asks him to put on previous garments whereas going to the police station as the quantity of bribe rises in direct proportion to how well-off one appears to be like. One other incident factors in direction of the truth that conserving ladies veiled robs them of their identification. Chhaya Kadam’s character as soon as says that girls don’t really need males for something and males have at all times suppressed that truth. She additionally emphasises that companionship is one factor however studying to reside alone is rewarding as nicely. The romance between Deepak and Pooja is as actual because it will get, devoid of any filmic connotations. Her progress as a girl who recognises her strengths is natural.
The movie’s casting is a masterstroke. Aside from Ravi Kishan’s apparent star worth, who has completed an exquisite job as a bribe-hungry cop, who however is aware of proper from unsuitable, the primary gamers are newcomers. Sparsh Shrivastava, Pratibha Ranta and Nitanshi Goel are excellent of their respective roles. One feels one’s watching somebody taken from the road and never skilled actors. Their expressions, diction, and physique language is spot on and all three have completed ample justice to the characters they painting.
Kiran Rao, whose final movie as a director, Dhobi Ghat, got here in 2010, has made a movie which entertains you in any respect fronts. Why such a reliable director waited for such a very long time for her subsequent providing is past our ken. Let’s hope she picks up the gauntlet quickly.
Watch Laapataa Girls for its shifting story, highly effective message and the sensible performing displayed by your complete forged.
Trailer : Laapataa Girls
Renuka Vyavahare, February 28, 2024, 6:30 AM IST
4.0/5
Story: Hassle ensues when two younger brides Phool Kumari (Nitanshi Goel) and Pushpa (Pratibha Ratna) get unintentionally swapped throughout a practice journey. Phool’s hapless husband Deepak Kumar (Sparsh Shrivastav) seeks assist from a corrupt cop Shyam Manohar (Ravi Kishan), including to the chaos.
Overview: Kiran Rao’s directorial debut ‘Dhobi Ghat’ was a haunting, nearly voyeuristic portrait of shattered hope, and desires in Mumbai. Set in rural India, Laapataa Girls, a pointy satire, is her return to route after 14 years and the dramedy stuns you with its intelligent social commentary and heartfelt sisterhood.
Laced with pleasant moments, the messaging is not overbearing. It by no means overshadows the leisure quotient as Rao masterfully makes use of humour and veiled identification (ghunghat) to replicate upon deep-seated patriarchy and its repercussions. Her light-hearted, slice-of-life storytelling makes a stable case for girls empowerment, schooling, and equality with out disparaging males or succumbing to prejudice. “Dowry nahi liya toh ladke mein khot hogi”, feedback a feminine character mocking a liberal man.
Household pleasant and acutely noticed, Biplab Goswami and Sneha Desai’s story and script present meals for thought. Each character is flawed however likeable, particularly the corrupt however conscientious Shyam Manohar. Ravi Kishan is excellent in his portrayal of a person, who’s each grasping and simply. The lead new faces do a commendable job, too.
The movie’s most memorable scene sums up the film’s intent completely. Hardened by life, a middle-aged tea stall proprietor Manju (an impeccable Chhaya Kadam who type of replays her Sairat character) chooses to reside alone as a substitute of tolerating disrespect and home violence. She tells Phool, “If those that love you will have a proper to hit you, I exercised my proper, too. (mic drop! No Animal was harmed within the making of this one liner).”
A lady isn’t sensible, she is over sensible. A girl will not be intelligent, she is crafty. Laapataa Girls tramples these age-old narratives by stating loud and clear, “A ‘respectable’ lady is the largest fraud in society’, because it situations her to not query the established order. The story doesn’t permit ladies to play the sufferer card both. It sternly says, “It’s not shameful to be a idiot however being happy with one’s ignorance is a disgrace.”
A tasty mix of coronary heart, thoughts, and humour, this one’s an absolute winner.
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