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Introduction
It was the start of 2019 once I revealed my first assessment of a 7Artisans lens, the 28mm 1.4 FE+ – an M-mount lens optimized for Sony E-mount. Now, 5 years later, this 7Artisans 50mm 1.8 AF is their first autofocus lens. Allow us to discover out what it’s able to.
Pattern Photographs
A lot of the pattern pictures on this assessment might be present in full decision right here.
Specs
The 7Artisans 50mm 1.8 AF has the next specs:
-
- Diameter: 72 mm
- Subject of view: 46.8° (diagonally)
- Size: 104 mm
- Weight: 423g (with out hood and caps)
- Filter Diameter: 62 mm
- Variety of Aperture Blades: 11 (barely rounded)
- Parts/Teams: 11/9
- Shut Focusing Distance: 0.5 m
- Most Magnification: 1:7.3 (measured)
- Mount: Sony E
beginning March 18th this lens needs to be obtainable from the producer’s store (affiliate hyperlink) for $228
Disclosure
The 7Artisans 50mm 1.8 AF was supplied freed from cost by 7Artisans for reviewing functions previous to launch.
Dealing with/Construct High quality
The casing of the 7Artisans 50mm 1.8 AF appears to be constructed from a mixture of metallic and polycarbonate elements and all of the markings are engraved and full of paint.
For an AF lens the main target ring has a really good resistance. The coupling is linear and it takes precisely 360° from the minimal focus distance of 0.5 m to infinity. Often I complain about too brief focus throws, however this one would possibly truly be a tad too lengthy for my style.
The aperture ring doesn’t have click on stops and it has a little bit of an fascinating design, because the spacing between f/1.8 and f/2.0 is identical as that between the total stops. The in-camera readings of the f/Stops match the settings on the aperture ring completely.
The lens additionally options an AF/MF lever, it’s a bit on the delicate aspect, so it’s possible you’ll unintentionally change its setting.
Within the image above you may see the digital contacts in addition to the USB-C socket for firmware updates.
The lens additionally comes with a tulip formed bayonet-style lens hood constructed from matte black plastic that may be connected reversed as nicely. It’s a bit on the brief aspect although, so I’m not positive how a lot it might probably truly assist with mitigating veiling flare.
The 7Artisans 50mm 1.8 AF is a giant lens. In comparison with the a lot sooner Sony FE 50mm 1.2 GM it’s thinner however solely barely shorter. Sony additionally has the Sony FE 50mm 1.8 in addition to the Sony FE 55mm 1.8 ZA of their portfolio, each lenses are noticeably smaller and lighter.
AF efficiency
I’m not capturing sports activities or fast-paced animals/people so if you wish to know if the lens is quick sufficient for this or the way it compares to different lenses on this section you’ll have to search for a unique assessment with a extra detailed evaluation of this side.
In on a regular basis use I discovered the AF to be respectable and correct sufficient. AF and aperture diaphragm aren’t utterly silent although.
Vignetting
Mild falloff
f/1.8 | 2.5 EV |
f/2.0 | 2.3 EV |
f/2.8 | 1.9 EV |
f/4.0 | 1.7 EV |
f/5.6 | 1.5 EV |
f/8.0 | 1.3 EV |
f/11-f/16 | 1.0 EV |
The vignetting figures are common for a lens with these parameters. They’re just about the identical as these of the Sony FE 55mm 1.8 ZA and at f/1.8 a bit decrease than these of the smaller Sony FE 50mm 1.8.
It is strongly recommended to take a look at this text first to get an thought how this brightness graph works.
Optical vignetting
Quick lenses often present a big quantity of optical vignetting. With out going an excessive amount of into technical particulars optical vignetting results in the truncation of sunshine circles in direction of the borders of the body.
Within the middle of the body nearly each lens will render an ideal circle, however solely lenses with very low optical vignetting will maintain this form within the corners.
So within the following comparability we transfer from the middle (left) to the intense nook (proper) and see how the form of the sunshine circle modifications.
Sony A7rII | 7Artisans 50mm 1.8 AF | 1.0 m focus distance
Typically folks hope that when lenses are large that mechanically equals much less optical vignetting, however fairly often that’s not the case and this 7Artisans 50mm 1.8 AF is an instance of that, because it reveals very sturdy vignetting, stronger than the each the Sony FE 50mm 1.8 and the Sony FE 55mm 1.8 ZA.
There’s something else, at f/1.8 we are able to see some odd artefacts. After the MS-Optics 73mm 1.5 Sonnetar that is solely the second lens the place I encountered this. We additionally see some onion ring constructions brought on by the aspherical components.
Sharpness
Focus Shift
Sony A7rII | 7Artisans 50mm 1.8 AF | 50% crops
Relating to AF E-mount lenses, focus shift just isn’t actually a problem, because the E-mount cameras often focus at working aperture. I nonetheless had a glance and the 7Artisans 50mm 1.8 AF reveals a small quantity of focus shift between f/2.8 and f/4.0.
infinity (42mp Sony A7rII)
For a 50mm f/1.8 lens an optical development made from 11 components in 9 teams with aspherical components might be thought of very advanced. By comparability, the Sony FE 50mm 1.8 includes a somewhat easy design made from 6 components in 5 teams and the Sony FE 55mm 1.8 ZA one in every of 7 components in 5 teams. This implies we must always anticipate excellent efficiency from this lens.
The excellent news are, that the middle and midframe certainly present excellent efficiency from f/1.8 and there’s no midzone dip. The corners are a unique story although, as their peak efficiency is reached between f/5.6 and f/8.0.
The Sony FE 50mm 1.8 performs related right here, the TTArtisan 50mm 2.0 about one cease worse within the corners and the Sony FE 55mm 1.8 ZA noticeably higher, because it reveals good nook efficiency from f/1.8.
portrait distance 1.0 m (42mp Sony A7rII)
I refocused for each shot and aperture to get the absolute best consequence at totally different areas within the body (middle, interior midframe and outer midframe).
The circle of the greenback invoice is kind of the dimensions of a human eye.
f/1.8 <—> f/2.8
Sony A7rII | 7Artisans 50mm 1.8 AF | 100% crops
At portrait distances the 7Artisans 50mm 1.8 AF reveals an exemplary efficiency. Already at f/1.8 it reveals nice efficiency all over the place within the body.
shut 0.50 m, 1:7.3 (42mp Sony A7rII)
Sony A7rII | 7Artisans 50mm 1.8 AF | 100% crops, refocused for each shot
A minimal focus distance of 0.5 m is typical for a 50mm lens. At f/1.8 the picture is a bit delicate, stopping all the way down to f/2.8 will increase the efficiency to excellent ranges.
It performs a bit higher than the easier unit focus lenses, right here typically stopping down by two stops is required for excellent efficiency.
Flare resistance
As all the time evaluating flare is a posh matter since you will get any lens to look unhealthy in the event you push it arduous sufficient and a slight change of situation can have an effect on outcomes so much.
Sony A7III | 7Artisans 50mm 1.8 AF | f/1.8
At its most aperture we are able to encounter veiling flare and ghosts relying on the place of the sturdy mild supply within the body.
Sony A7III | 7Artisans 50mm 1.8 AF | f/11
Stopped down not a lot modifications, however curiously with the solar within the very middle of the body we don’t see any artefacts.
This isn’t the very best efficiency we’ve got seen on this class, however it’s nonetheless higher than most of the different inexpensive 50mm lenses from the likes of 7Artisans and TTArtisan.
Coma
Sony A7rII | 7Artisans 50mm 1.8 AF | 100% crops
Coma is usually corrected nicely, however as we already know from the sharpness part, stopping down is required to enhance the final nook efficiency.
The efficiency continues to be significantly better than that of most classic 50mm lenses and really inexpensive compact fashionable lenses just like the TTArtisan 50mm 2.0.
Distortion
The distortion of this 7Artisans 50mm 1.8 AF may be very low and for many functions it will hardly be related, however in the event you look carefully there’s a tiny little bit of waviness.
Bokeh
Today there are 50mm lenses available which are a lot sooner than f/1.8 and I’ve to confess that due to this fact I wasn’t overly curious how the lens performs on this class.
The second image of the 4 above modified my thoughts a bit. Due to its advanced optical design resulting in excessive distinction and determination at brief to mid distances together with a really clean transition from in-focus to out-of-focus I discover the rendering of this lens very interesting.
Fortunately the odd artefacts I noticed within the optical vignetting part are solely hardly ever seen in actual world photos.
Even with advanced backgrounds this lens doesn’t appear to have any points with double edged constructions.
This 7Artisans 50mm 1.8 AF is a fantastic lens on the subject of bokeh rendering. It jogs my memory a little bit of the Sony FE 55mm 1.8 ZA.
Sunstars
Sony A7rII | 7Artisans 50mm 1.8 AF | 25% crops from middle
The 7Artisans 50mm 1.8 AF makes use of an aperture diaphragm made from 11 rounded aperture blades – much like most of Sony’s GM primes. To my shock the alignment of the blades is excellent, so the lens is ready to create good sunstars from f/11 to f/16.
If you wish to know extra about sunstars take a look at this text.
Chromatic aberration
lateral
Sony A7rII | 7Artisans 50mm 1.8 AF | f/11
Lateral CA are on the sturdy aspect, which is a bit odd for such a posh 50mm 1.8 lens. The one-click correction in Lightroom continues to be doing a very good job although.
longitudinal
Sony A7III | 7Artisans 50mm 1.8 AF | f/1.8
Bokeh fringing is on the sturdy aspect on the most aperture. The 7Artisans 50mm 1.8 AF is in good firm right here, Sony’s FE 50mm 1.8 in addition to the Sony FE 55mm 1.8 ZA present equally sturdy outlining.
Sony A7III | 7Artisans 50mm 1.8 AF | f/1.8
Relating to purple fringing the lens is nicely corrected, even on this excessive situation we are able to barely see any outlining.
Conclusion
good
|
common
|
not good
|
Reviewing this lens was a little bit of a rollercoaster journey. The very first thing you discover are measurement and weight. Purpose for that’s the very advanced optical design consisting of 11 components. Preserving that in thoughts you’ll anticipate excellent efficiency from large open at infinity, however for the corners that isn’t actually the case.
At portrait distances nevertheless, this lens reveals an important efficiency by way of decision and distinction and likewise the bokeh is sweet. Add the AF to the equation and you find yourself with a succesful but inexpensive portrait lens.
beginning March 18th this lens needs to be obtainable from the producer’s store (affiliate hyperlink) for $228
Alternate options
Relating to 50mm 1.8 lenses there are almost infinite options, so finest take a look at our Information to 50mm Lenses for Sony FE Cameras to get an summary.
Pattern Photographs
A lot of the pattern pictures on this assessment might be present in full decision right here.
Additional Studying
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My title is Bastian and I’m your professional right here on the subject of extremely large angle lenses, tremendous quick portrait lenses (starting from a 50mm f/0.95 to a 200mm f/1.8) and I even have reviewed method too many 35mm lenses.
Do not ask me something about macro or wildlife capturing although.
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