Ranneeti : An exciting and taut, nicely researched sequence on the occasions of Balakot & past. Lastly a present that doesn’t make the enemy appear to be a bunch of buffoons and recognises them for the treacherous leech that they’re. The CGI used for the air fight dogfights is satisfactory however its the cat & mouse sport of media narratives that retains the viewer hooked on to every episode, assisted by an amicable forged of Jimmy Shergill, Ashish Vidyarthi, Ashutosh Rana, Lara Dutta and co. A couple of sequences of incoherence do gradual the tempo down nevertheless.
PS : Watch Fighter for the motion leisure, Article 370 for the behind the scenes actions resulting in the abolition of the sinister act and Ranneeti for the behind the scene sport of media narratives.
3.5/5
************************************************************************************ ASUR 2 – Will get caught up in its personal absurdities and self indulgence to dish out a partly gripping, partly absurd and partly preposterous season. Whereas season 1 well used the idea of Karma, Aatma, Moksh and Dharma to weave a gripping plot round them, season 2 makes an attempt to make use of these ideas as an finish means in itself which oscillate the sequence from the thrilling to the obnoxiously supernatural. 3/5
Hoping there isn’t a Season 3 now.
***************************************************************************** Shaitaan – 2024 Watched it.. wonderful first half the place the story builds up nicely and distinctive performances by the forged with Madhavan and Janki Bodiwala standing out whereas Ajay & Jyotika are stoic. The introduction sequence, the construct up & the sense of atmospheric nervousness could be felt for the protagonist & his household.
However identical to Bahl’s earlier Hit Tremendous 30, Shaitaan too nosedives within the second half with senseless gore & violence occupying a majority of the screentime. The climax is unintentionally humorous & checks your endurance by then, particularly since Maddy for all his efforts remains to be too nice to be handed off as a human sacrificing rakshas & his charming dialogue supply which did wonders in organising the primary half finally ends up being the deal breaker within the closing act.
One other a type of city multiplex industrial movies from the trade, could be watched as soon as primarily for the primary half & Madhavan’s present stealing act.
3/5 *************************************************************************************** A good looking movie to look at cinematographic-ally however an agonising, painstaking & fairly a boring watch past a sure level with a predictable plot and cardboard characters. Maybe tender sci-fi/fantasy isn’t precisely a favorite style (in contrast to the superior large brother sci fi dealing in realism) however this might need labored higher in a GOT styled TV present. Undoubtedly extra participating than its snooze fest of a predecessor and people blue bodied alien movies, however nonetheless a slog however.
-Good stable political procedural thriller that asks for the viewer’s consideration & places your information of the structure to check.
-Most performances are up to speed. Arun Govil as Pm & Raj Zutshi as Abdullah stand out. Priyamani is stable, Yami Gautam is a bit eccentric & on character. Portrayal of the HM by Kiran Karmarkar is extraordinarily cartoonish although.
-Cinematography, camerawork, Bgm all high notch. Dialogues are arduous hitting with out going ballistic.
-Movie does endure from the Oppenheimer curse whereby it tries to slot in method an excessive amount of content material inside a brief span of two Hrs 45 minutes. Exams the viewers endurance as a result of its size and reliance on drama/dialogue. Would have labored higher as a 6-8 episode net sequence for the quantity of content material it suits in.
-3.5/5
********************************************************************************** Watched Fighter. Good stable industrial movie for essentially the most half aside from an underwhelming climax which appeared extra like a Kabir vs Khalid second. The primary half is a rousing glory with exceptionally nicely designed and shot aerial dogfights and cobra manoeuvres. The moments of workforce bonding and goofing are nice however nevertheless, not one thing of a cup of tea for single display audiences.
Performances are par for the course, Hr dominates the display as traditional and Deepika performs her half nicely. Anil Kapoor reminds of his olden days whereas Karan Grover shines as Jai. Greatest downside with the movie is its gradual paced second half, pointless interpersonal relationship props, a second of puerile humor involving Sharib Hashmi and the truth that whereas the motion and cinematography could be very area of interest and modern, a number of of the dialogues and the climax struggle offers a Gadar really feel to the movie. The ultimate act finally ends up being a neither right here nor there mismatch of Uri meets Border (pointless for the reason that plenty would anyhow gained’t have an interest within the aerial fight motion). All in all an excellent stable movie however that might simply have been a wonderful movie had the makers adopted their conviction and never fallen for the mass appeasing entice, particularly nicely designed for its Vfx, motion & set items. 7/10
PS : If Hindi movie makers and stars are so fascinated with catering to the plenty and budgeting their movies accordingly, they need to keep on with the Conflict and Pathan template and go away the likes of Fighter to the Aditya Dhar’s and Vicky Kaushal’s of the world. Or else observe conviction and funds the movie accordingly for city multiplexes alone. No level making an attempt the very best of each worlds and find yourself with neither.
**************************************************************************************** Merry Christmas has good performances, wonderful cinematography and spicy dialogues however a torpid screenplay and an underwhelming climax are the foremost drawbacks. Will get confused between being a black comedy or a thriller and finally ends up being neither. Strictly a one time watch, ideally on Ott, 3/5
Accomplished. Good, stable docu drama movie the chronicles the life and instances of Subject Marshal Manekshaw in a hagiographical format. His equation along with his IMA batchmates, his spouse in addition to ex PM Indira has been precisely & adequately portrayed with out an excessive amount of melodrama or shenanigan. The movie excels in its portrayal of the varied regiments of the Indian Military in addition to the mutually admirable equation the Subject Marshal shared along with his Jawans & officers.
The primary complaints – Nothing about his childhood and college life. Its a bit problamatic to painting such a wealthy illustrious life in 2.5 hours however his early days, his equation along with his dad and mom & college life deserved to be touched upon. Additionally, completely no actual life footage of the Subject Marshal by way of the movie regardless of sensible path of apt utilization of actual life footage in portrayal of the ’71 conflict.
Price Watching movie however. Kudos to Kaushal and Meghna in equal measure.
************************************************************************************ THE SPY on Netflix –
Maybe a bit late within the day, however a backbone chilling, nerve wracking spy drama that when once more reinstates how nicely espionage thrillers could be if made with the correct amount of realism and gradual burn.
Sensible efficiency by Sacha Baron Cohen, wonderful departure from his humorous man gigs. An ideal tribute to the “nation earlier than self”, “nation earlier than household” stone chilly method of the Israelis that defines and makes them what they’re within the submit WW-2 world (one thing most Indian civilians are incapable of even of their goals!).
Should Watch
*********************************************************************************** Watched Tiger 3 at the moment morning. Like I stated earlier, good script, needlessly prolonged screenplay that wasn’t crisp sufficient, wonderful motion sequences & stunts (esp by Katrina), substandard Visuals (persevering with from the place Pathaan left off), mediocre performances (Emraan did nicely however his make up and shallowly written character didn’t assist, SRKs cameo being an entire waste of time on the identical traces as Salman’s in Pathaan), dialogues that oscillate between the hilarious, sarcastic to tacky.
Higher than Tiger 1, at par with Pathaan (total) however not a patch on Tiger 2 and Conflict.
5/10
*Exhibiting a Pakistan PM in good gentle isn’t gonna go down nicely with the audiences (rightfully so) however within the total scheme of issues I’d nonetheless take it since the true villain of the piece, The Pakistan Armed forces and the ISI have been appropriately demonized together with a “light” reference to the rogue insurance policies of Turkey and China.
*********************************** AN ACTION HERO :
Tremendous Enjoyable “popcorn” entertainer with excessive meta references and black comedy that’ll make you rofl and facepalm on the identical time. A movie inside a movie with water tight screenplay and spicy dialogues, its relentless tempo covers up for its predictable goof ups whereas the gorgeous camerawork and stylized motion is a murals.
Performances from Ayushmaan and the ever dependable Jaideep Alhawat are image excellent for the job at hand and regardless of Ayushmaan’s lack of attraction within the motion style (one main cause why the movie flopped) he’s delivered one in every of his profession greatest submit Andhadhun and Vicky Donor.
7/10 – Price Looking forward to its enjoyable tropes with a pun.
*************************************************************************************************** ****Could comprise spoilers*** Khufiya – One other mediocre common product by Vishal Bharadwaj. A script stuffed with potential and thrill will get entangled in a messy net of obnoxious VB shenanigans (addicted semi bare housewife, a lesbian intelligence officer, a high of the invoice double agent so dumb, he’d put havildars of Delhi Police to disgrace).
Performances by a gifted forged are the one factor going for this movie alongside some good cinematography and a handful of procedural scenes involving real espionage.
The standard irrelevant and predictable Bharadwaj anti nationalistic pandering about how nationality and borders are the basis reason for all wars (yet one more toast for the commies after Jawan) that we’ve turn into used to since that terrible propaganda piece of writing from a Kashmiri militant that we name “Haider” doesn’t make issues higher.
Strictly a one time watch when you’ve got nothing higher in your listing.
A nicely intentioned movie total narrating the trials and tribulations of our scientists and their skilled and private struggles by way of the horrifying pandemic.
Clearly being a Vivek Ranjan movie there are events the place there’s subtlety of a sledgehammer in rightly calling out the crooked left wing media cabal and their NYC masters however I do want he will get a bit smoother and refined about it going ahead.
Its finally the scientific lab R&D and testing scenes (nicely shot and edited) the place the guts and soul of the movie lies and superlative performances from Nana Patekar and Pallavi Joshi with admirable help from Girija Oak, Nivedita Bhattacharya, Sapthami Gowda and Anupam Kher solely rise the movies requirements.
All in all The Vaccine Conflict won’t be an incredible movie however positively an important movie and a befitting tribute to our scientists and virologists in addition to a powerful slap to deprave pharma cos like Pfizer and Moderna for his or her treacherous opportunistic insurance policies. Similar to the makers final, its a tough movie to look at and would have labored higher as a docu-drama format or a 5 half net sequence however kudos to Vivek Ranjan and Pallavi Joshi for presenting us this important movie. 8/10
********************************************************************************* ***A Haunting In Venice**
Extra of a tribute than an adaptation of Agatha Christie’s novel. That seamlessly blends in parts of horror and fantasy. Regardless of the gradual paced and partly torpid screenplay, simply the very best of Kenneth Branagh’s Poirot movies and a far superior improve from the lackluster Orient Categorical and Dying on the Nile. A superb stable 7/10.
*********************************** Watching Jawan.. directionless vigilantism that results in extra chaos than order is at all times problamatic, be it Rang De Basanti or Gabbar and even Joker. Its totally different from unidirectional and private vendetta vigilantism like Indian & A Wednesday. The great stable Vfx & popcorn moments apart Jawan is kind of senseless enjoyable solely once you don’t attempt taking it too significantly. A concoction of too many characters & arcs, none of which have sufficient growth. 2.5/5
Solely somebody who actually is aware of learn how to smoke a cigar would know the badassery of the interval sequence btw.. 😜 Jawan is mainly a mass interesting Tamil movie starring Srk & higher manufacturing worth. He would possibly as nicely have chosen Ajith Kumar with ditto outcomes
*********************************************************************** Completed watching OMG2. An honest entertainer coping with a particularly essential & delicate matter in a particularly naive and preachy technique, akin to half 1. And identical to its prequel its unable to let go of a wholly weird climax involving ample goofiness and suspension of disbelief. Akshay is simply being Akshay as traditional, sadly Pankaj and Yami are the identical. Pawan Malhotra is the present stealer (consistent with judges in Hindi courtroom dramas).
A onetime look ahead to its theme and crisp presentation for the primary 3/4th of its length. 3/5
1. Nolan’s return to his roots. Sluggish burn screenplay that retains you engrossed proper from the primary body to the final regardless of its excruciating tempo & size. Torpid pacing is perhaps a flip off except you’re keen to take a position your self utterly and are mentally ready for an exhaustive & informative narrative.
2. Heavier reliance on drama, dialogue and a non linear narrative with different color scheme. 3. Sound design is high notch however in contrast to Nolan’s theme based mostly narratives (since Inception) Oppenheimer has a background rating that’s extra inclusive as a part of the story telling course of than a press release in itself. 4. BRILLIANT dialogues, star of the present. Profession greatest performances by Murphy & Downey Jr balancing their flawed characters with a toned down aptitude you seldom witness. Emily Blunt is par excellence within the climax scene.
************************************* Mission Majnu – Obscure, confused and fairly cheesy at instances. A movie dealing with advanced Indo-Pak espionage relations with child gloves. Fairly watchable should you want to watch a political/espionage thriller in a masala format with caricatured performances and infantile dialogues.
Sid Malhotra is respectable and charming as a confirmed Majnu, Rashmika does nicely, Parmeet Sethi is okay as Kao whereas Zakir Hussain is totally wasted as an excellent for nothing sarkari oaf. The perfect half concerning the movie is its no holds bar in exposing the treacherous traitor Morarji Desai, India’s best shame as a PM and one whose insurance policies are maybe a poster for the likes of Kejriwal, Stalin & Mamata. The harm completed by Indira’s self obsessive lapse in imposing the Emergency & the aftermath of the electoral defeat in 1977 have been felt proper till Siddharth’s final movie based mostly on the ’99 conflict hero Capt. Vikram Batra.
Ranking : 3* ; okay as a one time watch however not a patch on the likes of Mukhbir and Raazi based mostly on related themes.
PS : Evergreen Byomkesh babu Rajit Kapur has one other feather in his cap as Zulfikar Bhutto after taking part in Gandhi, Modi and Nehru. Some background. *********************************************************************** Barring the gorgeous visuals and cinematography, Avatar 2 is an extended by no means ending snoozefest that appears extra like a celebration of America’s despicable expansionist & invasive insurance policies than about story telling and screenplay.
Since bombing continents and nations isn’t sufficient anymore, time for the White home’s Hollywood stooges to go about bombing & invading fellow planets underneath the garb of movie making. As with nearly each main studio now, spending large bucks on visuals with zilch story telling & recycling the identical rubbish in a franchise format is the one factor left of Hollywood now, in instances when Indian & Asian cinema’s making fast strides. No marvel even nearly respectable stuff like Parasite & RRRs leaving them in awe. ✯✯ /5
**************************************************************** Avatar (2009) -A rewatch
Gorgeous visuals, distinctive cinematography and mesmerizing VFX in a wafer skinny plot (that’s Cameroon’s speciality proper from his Terminator & Titanic days) with a tinge of American propaganda about how they’re the one residing land worthy of surviving this planet & past (when the reality is way from it!). Hijacking an alien planet and waging conflict in opposition to the unprepared is staple American weight loss plan, be it politics, diplomacy or leisure.
Anticipate Avatar 2 to be no totally different aside from the truth that its 30 minutes longer in size and would possibly check your endurance (if not provide you with a 3 dimensional migrain). ⭐⭐1/2
Ram Setu (2022) -OTT watch
A movie with its coronary heart in the proper place and desiring to have a good time Bharatvarsha’s timeless Dharmic legacy by way of the legend of Shri Ram and the Setu however utterly tousled by way of writing and visuals. The juvenile dialogues and inflexible performances don’t assist. Watchable just for the content material (should you should!). ⭐⭐1/2
****************************************************************************** Watched Chup -Revenge of the artist. The Guardian’s overview sums it up the very best : “Chup efficiently skewers not simply the tense film-maker/critic relationship, however is aware of completely the place to place its finger to greatest needle Movie Twitter: it calls out hot-take retailers, overly optimistic and corrupt reviewers, and this exalted calling’s self-importance.”
Regardless of the gradual burn screenplay and obvious loopholes, it is a watchable movie particularly for Dulquer Salman’s stunningly menacing act and a surprisingly restraint Sunny Deol (shouts simply as soon as in the whole length of the movie!).
PS : Glimpses of the despicable Raja Sen in a movie about critics being chopped and slaughtered was essentially the most satisfying bit, a cameo from Saibal Chatterji and Anna Vetticad would have been the icing on the cake however anyhow.. 😛
3.5/5 ********************************************************** Completed watching Drishyam 2. The identical story as the unique however positively a tighter and extra taut screenplay this time regardless of the implausible twists and handy climax. Ajay Devgn sir is mesmerizing as Vijay Salgaonkar and maybe the one actor in Hindi cinema who might match Mohanlal sir on this position.
Tabu invokes the viewers wrath convincingly whereas Akshay & Rajat Kapoor add stability to the opposites. The dialogues and background rating is a winner. Despite the fact that this isn’t as much as the usual of its prequel, its nonetheless a pleasant thriller. ☆☆☆1/2
Good idea jarred by some substandard dialogues that sound straight out of a dubbed Telugu movie and really unconvincing leads whose ineffective chemistry fails the love story in addition to utterly sloppy physique language and physicality by Ranbir whose a misfit for an action-superhero position. Fortunately the movie’s saved by wonderful visuals and whistle worthy heroic cameos from SRK, Nagarjuna and Bachchan sir. Mouni Roy because the vamp is way more practical in her mannerisms and physique language than each Ranbir and Alia. Ranking -⭐⭐⭐ (one time watch)
Minnal murali -India’s greatest superhero movie by a mile. An authentic screenplay a couple of superhero vs supervillain story created through love, ambition and normal masala father-son template.
Though there may be apparent Hollywood inspiration, the dialogues (English model), diction and cinematography give this film an entire heartland expertise. Ample humor coupled with good stable performances, a film for all age teams and a common viewers. The excruciating 160 minute being the one disadvantage ✯✯✯✯
****************************
Vikrant Rona :
Nothing a lot aside from visuals and cgi. Easy plot narrative in a needlessly convoluted method.
A particularly casteist movie as nicely, the avengers being reworked to rakshasas regardless of watching the decrease caste members of the family being killed whereas an higher caste Vikrant Rona rising a hero regardless of being an confederate in crime throughout his college days. DISAPPOINTING…
Story -⭐️⭐️ Screenplay -⭐️⭐️ Performances-⭐️⭐️⭐️ Dialogues -⭐️⭐️ VFX/Motion -⭐️⭐️⭐️⭐️
Whole -⭐️⭐️ 1/2
*********************** Revisiting Jodhaa Akbar :
For the primary time in over a decade I acquired an opportunity to revisit one in every of Ashutosh G’s most majestic large display extravaganzas Jodhaa Akbar,
Story & Screenplay : 7/10 A moderately simplistic story of a Mughal king eager to forge an alliance with a Rajput princess to be able to develop his foothold throughout the Hindustani landmass. The screenplay (by Haider Ali and Ashutosh himself) nevertheless takes a particularly labored and snail’s method (a typical problem with most Ashutosh movies together with Lagaan) which induces boredom and disinterest within the viewer sometimes. To cite from Austin Chronicle, the movie’s largest victory is that “The music and dance which can be such hallmarks of Bollywood filmmaking are right here seamlessly integrated into the story moderately than making a pause within the motion.” https://bit.ly/3c2QMlm
Dialogues : 7/10 Good and efficient (in need of being nice nevertheless) for essentially the most half. Emperor Akbar and Jodhabai’s romantic exchanges are a pleasure to the ears whereas a younger prince Akbar setting apart Khan baba within the first quarter of the movie and setting his priorities straight have been written extraordinarily successfully. Akbar’s exchanges with Jodha’s brother in addition to his highly effective & emotional dramatic alternate along with his foster mother (an brilliantly devilish Ila Arun) have been thoughtfully penned by author KP Saxena.
Performances : 7/10 Environment friendly and stable performances for essentially the most half. Each Hrithik and Aishwarya have been given ample scope to exude attraction and magnificient magnificence by their good-looking appears they usually ship successfully on that entrance. Ila Arun as Akbar’s foster mother is high notch and so is Sonu Sood as Sujamal Bhaisaab. The help forged led by Kulbhushan sir and others is satisfactory as nicely. To cite B. Rangan on this “Hrithik occupies display house with such silent poise and regal bearing, it’s arduous to consider this is similar actor with the loosest limbs in Bollywood. And whereas Aishwarya’s magnificence is not any breaking information, she’s so luminous from sure angles, it’s as if the cinematographer lit her from inside.” https://bit.ly/3yTCT1O
Motion/Cinematography/Music : 6/10 The motion is the place the movie takes a little bit of a beating. Agreed the photographs didn’t have the posh of the VFX we witness in modern-day cinema like RRR however the haphazard stunt choreography and shut up motion photographs have been a significant let down. The lengthy distant battle sequence photographs in addition to the one to 1 climatic duel go away an impression however. AR Rahman’s music is pure genius Kiran Deohans’ cinematography is patchy is components (motion sequences) and environment friendly in others (specifically the dialogue and romantic sequences of the lead pair).
Ultimate phrases : An uneven but respectable watchable movie for essentially the most half the place the romance between its lovely leads together with the music works a lot better than the historic sermons and the motion.
Ranking : 7/10 (Price Watching)
*************************************ninth July finish****** Kranti (1981) Bought a possibility to look at this Manoj Kumar masterpiece on Zee5 final evening. A star studded industrial film about revolutionaries mutiny in opposition to the British with image excellent performances from Dilip Kumar saab, Manoj Kumar saab, Hema ma’am, Praveen ji, late Shashi Kapoor, Shatrughan sir amongst others. A real visible extravaganza in its precise sense, the RRR of the Nineteen Eighties with higher dialogues and higher performances by its forged. No shock that KRANTI turned out to be Hindi cinema’s largest and best blockbusters of the last decade. Sholay, Deewaar, Kranti, Karma and so on. are the kinda movies nobody in Bollywood’s able to making these days, the principle cause for the trade’s present disaster.
https://www.youtube.com/watch?v=oecx7FyoFvw A great deal of nicely choreographed motion, oodles of intestine wrenching emotion (demise photographs of Manoj saab, Shashi ji and Shatrughan sir particularly), intense drama and dialogues that invoke claps, whistles and hair elevating moments as nicely punctuated by a little bit of sprinkled humor and romance, Kranti is the close to excellent masala movie enterprise and alongside Sholay, this deserves to be a template in modern-day industrial movie making. The apparent and monumental inspiration of each these classics on Rajamouli sir’s RRR is all however apparent.
************************************************************** Dr. Babasaheb Ambedkar First time I’ve ever watched Mamootty sir carry out (due to my zilch understanding of Malayalam) however as for his portrayal of Dr. Babasaheb, its nearly pinpoint perfection (besides the Malayali accent that can’t be helped). At all times discovered Ambedkar the scholar a little bit of a myopic when it got here to his restricted understanding of Hinduism and its philosophies (which might by no means rise past the manusmriti) however acquired to applaud him for his relentless efforts in the direction of annhilation of sophistication disparity and girls upliftment in pre Impartial India. Its solely an irony (or maybe his hypocirsy?) that being a self proclaimed atheist he transformed to a different DHARMIC religion (Buddhism) afterward in life.
PS: The one chief in pre impartial India aside from Bhagat Singh to have known as out the crafty british stooge Mohandas Gandhi for what he was!
This entry was posted on Could 6, 2024 at 9:40 PM and is filed underneath Notes, the great with tags Fighter, Shivaay. You possibly can observe any responses to this entry by way of the RSS 2.0 feed.
You possibly can go away a response, or trackback from your individual web site.
-(1)1673348662-0/WhatsApp-Image-2023-01-10-at-03-00-09-(1)-(1)1673348662-0.png)
